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Didnt know where i was supposed to post it so move it where it needs to go plz. DBX 166XL Dual Compressor Limiter Gate Retail = $250.00 Sell For $100 http://www.zzounds.com/item--DBX166XL Program-adaptive expander/gates. New gate timing algorithms ensure the smoothest release characteristics. The 166XL provides 2 channels of noise gating, OverEasy or classic hard knee compression and PeakStop limiting to give complete control of signal dynamics to studios, sound reinforcement companies, musicians, or anyone who needs quality processing quickly and easily. We recommend that you take a moment and read through the manual as it provides information that will assist you in using your unit to its fullest potential. Most compressor/gates provide less than musical compression, coupled with gating that swallows transients or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. When using the 166XL's Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow "leveling" to aggressive "peak" limiting. The 166XL's advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics - even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V2 VCA to design in an extra-wide threshold range and ensure top gating performance for each application. Separate precision LED displays for gain reduction, compression threshold, and gate threshold allow quick, accurate setup, while the 166XL's intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums, or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image even with high amounts of compression, through True RMS Power Summing. Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with the 166XL,s full sidechain functionality, and the ability to use either hard knee or OverEasy compression algorithms. Add to this already impressive list of features the venerable PeakStop limiter, and you've got a strong finisher, every time. Designed and manufactured in the U.S.A., the dbx 166XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 166XL puts a completely new level of compressor/gate performance within everyone's reach. Features Goof-proof operation to smooth uneven levels, add sustain to guitars, fatten drums, or tighten up mixes. New! gate timing algorithms ensure the smoothest release characteristics. Program-adaptive expander/gates. Great sounding dynamics control for any type of program material. Separate precision LED displays for gain reduction, compression threshold, and gate threshold allow quick, accurate setup. Stereo or dual-mono operation. Balanced inputs and outputs on 1/4 in. TRS and XLR. Side Chain insert. Classic dbx "Auto" mode. Technical Info Inputs Connector: 1/4 in. Phone and XLR Floating Balanced; XLR: Pin & TIP HI Impedance: >40k Maximum Level: +24dBu, Balanced or Unbalanced CMRR: >45dB Connector: 1/4 in. Phone: Normalled: Ring = Send; Tip = Return Impedance: Ring = 2k; Tip = >10k Maximum Level: +24dBu Outputs Connector: 1/4 in. TRS Phone and XLR, Floating Balanced; XLR: Pin & TIP HI Impedance: 100 Maximum Level: +20dBu, Balanced or Unbalanced Frequency Response: 20Hz - 20kHz; +0,-0.5dB, Typical 3dB points are 0.35Hz & 170kHz THD: Typically <0.2%; any amount of compression up to 40dB @ 1kHz SMPTE: IMD Typically 0.2% @ +10dBu (SLOW Compression, 15dB Gain Reduction) Compressor Threshold Range: -40dBu to ?20dBu Threshold Characteristic: Selectable OverEasy? or Hard Knee Compression Ratio: Variable 1:1 to Infinity:1; 50dB maximum compression Attack Time: Program-Dependent; Typically 5ms (Fast MODE), 15ms (SLOW MODE) for 15dB gain reduction Release Time: Program-Dependent; Typically 50dB/Sec (Fast MODE), 8dB/Sec (SLOW MODE) Expander/Gate Threshold Range: OFF to +15dBu Expansion Ratio: 10:1 Maximum Depth: .50dB Attack Time: <500?s (from Maximum Depth) Release Time: Adjustable, 30mS to 3Sec (to 30dB attenuation) PeakStop Limiter Threshold Range: 0dBu to +20dBu System Performance Gain Adjustment Range: Variable; -20dB to +20dB Interchannel Crosstalk: -80dB, 20Hz to 20kHz Dynamic Range: 113dB Stereo Coupling: True Power Summing Hardware Operating Voltage: DO: 90-130VAC, 50/60Hz; EU: 200 -250VAC, 50/60Hz Operating Temperature: 0?C to 45?C (32?F to 113?F) Dimensions (H x W x D): 1.75 x 19 x 6.5 in. (4.45 x 48.2 x 16.5 cm) Net Weight: 4.41 lbs. (1.99 kg) Shipping Weight: 6.62 lbs. (2.99 kg) Notes: Noise and frequency response specifications are at unity gain. 0dBV = 1.0Vrms; 0dBu = 0.775Vrms. Mackie DFX6 6-Channel Mixer with Effects Retail = $199 Sell for $100 The new DFX mixers are designed specifically for solo or small performing groups that don't have the luxury of a front-of-house sound technician?those die-hard do-it-yourselfers that manage their own set-up and tear-down while possessing the uncanny ability to simultaneously make music and control their own audio mix. All knobs are color-coded and can be easily identified at a glance. Channel faders are white. Effects and Monitor Sends are red. Master level faders are blue. The jack field is on the top surface so connections are immediate and every channel has a Level Set and Overload LED that can be effortlessly seen on a dark stage. Extremely easy to use, these new mixers are also equipped with all of the same features that have made Mackie mixers the standard for working musicians. Both new DFX include a combination of mic/line and stereo line inputs, silky smooth 60mm faders, and Mackie Designs' proprietary 32-bit EMAC custom digital effects processor with 16 effects. Each mixer also offers low-noise, low-distortion, studio-grade, 5-band stereo program equalizers wrapped in a box rugged enough to withstand years of on-the-road wear and tear. "The new DFX mixers are a great addition to our existing product line," stated Ivan Schwartz, Corporate Director, Global Sound Reinforcement Product and Market Development at Mackie Designs, Inc. "They are the most affordable mixers in the Mackie family and offer an exceptional mixture of features and performance." Features 60mm logarithmic taper faders Pro-quality low noise, high headroom mic preamps with switchable phantom power 32-bit EMAC custom Digital EFX Processor with 16 effects 5-band stereo graphic equalizer with 12dB boost/cut, Bypass and Aux/Main Assign 2-band channel strip shelving EQ at 80Hz and 12kHz 75Hz Low Cut filters and inserts on mono mic/line channels Input trim controls with LED level set indicators Separate Aux Send and Effects Send for each channel 2 stereo Aux Returns Master Aux 1, Aux 2/EFX and CD/Tape Return faders Effects to Monitor feature with separate rotary level control Tape/CD inputs and Tape outputs Vocal Eliminator switch for "Karaoke" use Break Switch for playing music between sets Headphone output with separate rotary level control Balanced/unbalanced XLR and 1/4 in. main stereo outputs Rugged metal main chassis Built-in power supply Mackie Designs, Inc. is known worldwide as a leading manufacturer and marketer of high-quality, affordable professional audio systems. Mackie products can be found in professional and project recording studios, video and broadcast suites, post production facilities, sound reinforcement applications including churches and nightclubs, retail locations, and on major musical tours. Mackie Designs's products are marketed by 54 distributors to over 100 countries around the world QSC HPR181i Powered Subwoofer (700 Watts, 1x18 in.) Retail = $1329 Sell for $800 For high-level dance music or reinforcement of bass instruments and kick drum, an HPR series subwoofer will add low-frequency extension and power to any sound system. The HPR181i single 18 in. subwoofer offers truly impressive low frequency extension and output. A 4 in. voice-coil driver and a 700 watt power module work to produce 134 dB SPL peak, at 1 meter with frequency response down to 39 Hz. The HPR181i also includes a top-mounted 35mm pole socket and heavy-duty 3 in. casters to facilitate load-in and load-out. Features: Power module based on the best-selling RMX series amplifier technology provides 700 watts of class H power Attractive and professional appearance Rugged birch enclosure Tour-grade 16-gauge steel grille Ergonomic handles with comfortable, non-slip grip 35 mm pole socket Applications: Live sound reinforcement of bass, kick-drum, etc. Higher-SPL dance music Why Choose Powered Loudspeakers The powered speaker has become a staple for mobile DJs, musicians and AV professionals alike. The simplicity and scalability of these systems is the big draw. After all, what could be easier than just connecting the output of your DJ or live sound mixer directly to the speaker and turning everything on? For those who have been reluctant to join the powered speaker party because you felt that powered speaker amplification fell short of rack-mount amp quality, you are officially out of excuses. Why Choose QSC's HPR Series There's a QSC Amplifier Inside Each HPR Now you can get the legendary performance and reliability of QSC's rack mount amplifiers built into a powered loudspeaker. The power module is designed with the same top-quality components and rigorous standards you expect from any QSC amplifier. QSC is regarded as one of the leading amplifier manufacturers in the world. We have over 35 years experience making professional-grade amplifiers. When you buy an HPR Series powered loudspeaker, you know it is backed by the QSC quality and reliability you've come to expect. Discrete Component Designs Many powered speaker amplifier modules use low-cost, consumer-grade "chip amps" to decrease costs and simplify design. The HPR Series features a professional, discrete component design, hardened to withstand abuse and engineered to deliver the best possible performance even when pushed to the limit. Signal Processing An advantage of powered speakers is that the design engineers know everything about the system. This means that all the signal processing -- crossover frequencies and slopes, EQ transfer functions, phase corrections and limiting -- can be precisely tailored. Multi-Band Limiting Nothing kills speaker drivers faster than clipping, which happens when an amplifier is driven too hard. At best, this clipping will be annoying to listeners. At worst it may burn up the speaker voice-coils. The HPR series protects itself (and your performance) through the use of active Multi-Band Limiting that detects excess level at each amplifier channel before clipping occurs. Then dynamic peak limiting is applied to the overall signal. The limiting parameters have been carefully set to maintain overall frequency balance and minimize audible "pumping." You will probably need to watch the rear panel Limit LED to even know that limiting is taking place. The result -- your HPR system delivers clean, undistorted sound even when you push it hard. Crossover The bi-amplified HPR152F and tri-amplified HPR153F are "active" systems. There are two advantages to an active system. Advantage 1: With a conventional passive speaker system, a single amplifier channel covers the entire frequency spectrum. So, when a bass note overdrives an amplifier, the resulting clipping produces harmonics that also go to the mid and high-frequency drivers. The result is audible distortion or, worse yet destruction of the drivers. In bi/tri-amplified systems, only the low-frequency amp would produce distortion while the mid and high frequency amps continue to deliver clean, undistorted sound. Advantage 2: Active systems allow far more extensive tailoring of the cross-over response than is possible with passive cross-over networks. The 2 and 3-way HPR models include crossovers that maintain coherent performance across the transition between low, mid and high-frequency drivers. In addition, these models incorporate a unique, 100 Hz Low-Cut filter. This opens up powerful mixing possibilities. One subwoofer or many, the HPR subs have crossover functions for any application. The subs' stereo inputs sum the left and right inputs to mono while also giving you a stereo output for a pair of mid-high speakers. Professional Good Looks and Tour Grade Tough Rugged 13-Ply Birch Enclosures The HPR Series loudspeakers are meant to travel and are constructed of premium quality 13-ply birch coated with a tough, professional sprayed finish. Carefully engineered bracing keeps the enclosures rigid for tight, accurate low-frequency performance. Tour-Grade 16-Gauge Steel Grilles The attractive, powder coated 16-gauge steel grille is built tough to withstand anything that you can throw at it. If you look closely, you can see the slight concave shape of the grille which goes even further to keep it rigid. Amplifier Module The amp module is constructed using a large heat sink with ample radiating surface so your HPR speakers won't shut down just when the show gets hot. Another example of QSC's attention to details is the beveled edges of the heat sink fins. Sharp edges have been milled off to prevent injuries to users and their gear. Transport Rolls with the Greatest of Ease Heavy duty 3 in. wheels on the back of the HPR181W roll easily over cables, thresholds and other obstacles. Ergonomic Handles with Comfortable Non-Slip Grip QSC designed and tooled an ergonomic handle with a comfortable, no-slip grip. Every time you pick up your HPR speaker, you'll be reminded of QSC quality and attention to detail. Leave the Light On... or Off With the HPR Series, you have the option of turning the grille-mounted LED off for situations where it would be distracting. Going that Extra Mile Before any QSC product gets its final approval, it has to pass a multitude of grueling tests. If we can find a way to break it, we will and we'll engineer a fix so it doesn't happen to you. That's what going the extra mile means, more testing, better quality components and a commitment to making the best products possible. Professionals rely on QSC gear every day because it doesn't let them down. Technical Info Configuration: 18 in. powered subwoofer Transducer: 18 in. cone transducer with 4 in. voice coil Frequency Response (-3 dB) *1: 45 Hz - 95 Hz Frequency Range (-10 dB) *1: 39 Hz - 145 Hz Maximum SPL (1 meter): 134 dB peak Power Output: 700W Class H Input Impedance: 22k balanced, 11k unbalanced Controls: Gain, Front LED On/Off, Power, Circuit breaker, Phase Indicators: Power, Signal, Limit Cooling: Convection Amplifier Protection: Thermal and output power limiting Current consumption at 120 VAC (1/8 power EIA noise): 2.5A Enclosure: Painted Birch plywood Finish: Black textured paint Grille: Powder coated 16 gauge steel Connectors: Balanced female XLR line level inputs x 2 (L+R) Balanced male XLR full range line level throughputs x 2 (L+R) Male XLR low-cut line level outputs x 2 (L+R) Dimensions: 28 in. H x 23.5 in. W x 23 in. D (711mm x 597mm x 582mm) Net Weight: 127 lbs. / 58 kg Available Accessories: HPR COVER 181 HPR POLE 26 HPR POLE 31 Mackie SRM450 Active Monitor Retail =$549 Sell for $300 Mackie's new SRM450 is so precise, so powerful, and so easy to use, they refuse to call it a PA speaker. Active technology finally makes it possible for you to exercise listening criteria reserved for high-end studio monitors in a live sound environment. And since Mackie is the one unleashing the world's first active sound reinforcement monitor, you can be sure it's affordable. The SRM450 active sound reinforcement monitor brings truckloads of power to any event, eliminating the need for external amplification and costly electronics (such as processors). In fact, this new Mackie loudspeaker - the first in a series of speakers developed with RCF, who has 50 years of speaker experience - uses technology and features found in systems costing thousands of dollars. From beginning musicians to AV rental houses and everywhere in between, anyone who uses a PA will find the SRM450 to be the workhorse sound reinforcement solution. Everything you need for sound reinforcement - aside from the mixer (and they have those, too) - is in the SRM450. Take a look toward the top of this great-looking monitor and you'll notice the UltraWide Dispersion horn. Designed to deliver high frequency sounds across a spacious horizon, the SRM450 can be heard clearly by every person in the audience. Left, right, or behind that big post toward the back of the room, the crowd can hear it all. You won't break your back hauling it around, either, thanks to the high-impact composite enclosure. Handles on both sides and on top make it easy to carry. What's more, the SRM450 can be pole-mounted, flown, or even used as a floor wedge. In fact, the SRM450's asymmetrical geometry and wide-dispersion, studio-quality horn provide unobtrusive sight lines and optimized stage monitoring performance. They've packed so many features, so much performance and versatility into the SRM450, you'll have to hear and see it for yourself. And they guarantee: once you do, you'll never have any question about who to trust your sound to. Technical Info Transducer Specifications Low-Frequency Transducer: Diameter: 300mm (12") Voice Coil Diameter: 63.5mm (2.5") Sensitivity: (1W@1m) 98 dB Nominal Impedance: 8 ohms Power Handling: 300 watts Frequency Range: 55Hz - 3000Hz Hi-Frequency Driver and Horn: Diaphragm Diameter: 44.5mm (1.75") Exit Throat Diameter: 24.5mm (1") Diaphragm Material: Titanium Sensitivity (1W@1m): 106 dB Nominal Impedance: 8 ohms Power Handling: 100 watts Frequency Range: 1000Hz - 20,000Hz Horn Type Composite: Exponential and Conical Mouth Size (W x H): 304.8 x 177.8 mm (12 x 7 in.) Horizontal Coverage: 90? ?10? (1kHz - 20kHz) Vertical Coverage 45? ?10? (2.8kHz - 20kHz) Power Amplifier and System Specifications Low-Frequency Power Amplifier: Rated Power: 300 watts Rated THD: < 0.03% Cooling Convection: Extrusion Design Class: G, Parametric Servo Feedback High-Frequency Amplifier: Rated Power: 100 watts Rated THD: < 0.03% Cooling Convection: Extrusion Design: Conventional Class AB Line Input Power US: 120V, 60Hz Europe: 230V, 50Hz Japan: 100V, 50/60Hz Physical Properties Dimensions (H x W x D): 660 x 390 x 376 mm (25.98 x 15.35 x 14.8 in.) Weight: 23.2 kg (51 lbs.) Enclosure: Geometry Asymmetrical Trapezoidal Mounting Methods: Integrated mounting points, M10 System Specifications Input Type: Balanced Differential Input Impedance Line: 20k ohms Input Protection: RFI and level protected Sensitivity Line: +4 dBu (center detent) Mic: -36 dBu Maximum Input Level Line: +22 dBu Low-Cut Frequency: 75Hz, Second-order filter Acoustic Contour Equalization Peaking: +3 dB @ 100Hz +3 dB @ 12kHz Enclosure Alignment: Sixth-Order Over-Excursion Protection: Second-Order High-Pass Filter Thermal Protection Amplifier shutdown, auto reset Low-Line Voltage Shut Down 60% Nominal line Acoustic Frequency Response: 55Hz - 20,000Hz Low-Freq: -3 dB Point 55Hz Maximum SPL @ 1m: 127 dB Low-Freq Crossover: 24 dB/octave, time offset corrected High-Freq Crossover: 24 dB/octave Crossover Frequency: 1600Hz Driver Protection: Independent LF and HF compressors Low-Freq Roll-Off Dynamic-signal level dependent Accessory Interface ?15V DC, normalized signal I/O Operating Temperature Range: -10?C to 45? C (14?F to 113?F) (2) Mackie SA1530Z 3-Way Active Loudspeaker (1300 Watts, 1x15 in.) Retail = $1339 X2 Sell for $1500 for the pair ($800 Each) Tri-amplified with independent 1100W RMS low-frequency, 100W RMS mid-frequency, and 100W RMS high-frequency amps. For when incredible accuracy and extreme output are a must, Mackie's flagship SAz Series represent the finest active loudspeaker systems on the market. These four newly developed "Super Active" loudspeakers improve upon Mackie's award-winning Active designs of the past with maximized power, re-calibrated electronics, high-definition neodymium drivers, and extensive acoustic design and tuning by the world-renowned Eastern Acoustic Works (EAW) engineering team. SA1530Z Features: Ultra high-output active system featuring integrated electronics and acoustic design by EAW loudspeaker team Wide-dispersion, ultra-low distortion, high frequency horn design Power On, Signal Present, Limiter and Thermal Protection LEDs Weight balanced with carrying handles for easy portability Optimized wide-dispersion WaveFront high/mid horn system Tri-amplified, with independent 1100W RMS low-frequency, 100W RMS mid-frequency, and 100W RMS high-frequency amps 44mm (1.75 in.) neodymium high-frequency compression driver 152mm (6 in.) horn-loaded neodymium mid-frequency transducer 381mm (15 in.) LF woofer with high-temperature voice coil Complete electronic and component circuitry protection 135dB SPL @ 1kHz/1 meter Frequency response: 38Hz to 20kHz Re-Engineered for Superior Performance The new SAz Series Loudspeakers start with maximum power. The SA1530Z has 1300 watts RMS total. And Mackie made sure this power was translated into incredible accuracy with completely re-calibrated active electronics -- including precision crossovers, thermal and transducer protection, and electronic time-correction. These revamped electronics are coupled with new neodymium mid- and high-frequency drivers, delivering greater accuracy and increased output versus their previous ceramic-magnet models, yet weighing significantly less. And as the only premium active loudspeakers with optimized WaveFront horns, the SAz series' natural sound and ultra-wide dispersion are simply unparalleled in its class. Precision-Tuned by EAW Loudspeaker Engineers Because a loudspeaker is more than the sum of its parts, the new SAz Series Loudspeakers were developed and tuned exclusively by the EAW loudspeaker engineering team. This is the same team behind high-output loudspeaker systems for the Olympic games, the Super Bowl, and musical tours ranging from Usher to REM to Eric Clapton for over 25 years. The end result of their efforts is that the SAz Series loudspeakers function as highly efficient systems, optimizing acoustic, electronic, and mechanical designs to achieve the highest level of performance and value. Put simply, the new SAz series stand as the finest active loudspeaker systems in Mackie history, rivaling professional passive systems costing thousands more. Three 3-Way Designs with Patented Wavefront High/Mid Horn Mackie's top-of-the-line SA1530z, SA1232z and SA1532z employ several distinct elements to achieve their amazing accuracy and full, natural sound. For each model, frequencies above 3kHz are produced by a 1.75-inch neodymium compression driver, while a six-inch neodymium mid-range transducer operates between 700Hz and 3kHz eliminating the placement of a crossover point in the center of critical voice frequencies. Additionally, all three models feature Mackie's optimized wide-dispersion WaveFront horn design -- a scientifically developed one-piece 90 x 40 degree horn that combines both mid- and high-frequency drivers. Unlike typical mid/high horn designs, the high-frequency section fires slightly downward into the six-inch mid-range driver's dispersion pattern, creating a focused, single wave front with excellent phase and power response characteristics. The resulting 90 x 40 degree dispersion pattern provides open, natural sound for the entire audience, even at extreme output levels. This Soundsystem is roughly a year and a half old and was bought brand new. Comes With an Extended Warrenty that covers everything from being blown to you being a dumbass. The ENTIRE Package for $3000 Would be a awesome set up for a wedding dj or a small bar or somethin =D I will sell seprate if u want. holla if you want em Bobbycmusic@gmail.com